Storytelling during the 1348 Black Death:
Giovanni Boccaccio’s Decameron
Into the notable city of Florence, fairer than every other in Italy, there came the death-dealing pestilence — Giovanni Boccaccio
Written after the Black Death of 1348, Giovanni Boccaccio’s (1313-75) Decameron responds to the suffering he witnessed first-hand in the streets of Florence, as the plague killed over sixty percent of the town’s populace. Despite its gruesome origins, the book is nevertheless replete with entertaining tales of sex, ribaldry and wit of various types. Indeed, Boccaccio intended his book as a textual salve that might remedy any sadness or pain in his reader’s lives. The book’s hilarious content clearly demonstrates that laughter really is the best medicine!
Set in plague ridden Florence, the book describes how ten noble people flee the city for a countryside palazzo. Over the course of ten days, they tell stories to pass the time—one hundred in total. There is the story of the mute gardener who seduces an entire nunnery (Day 3, Story 1), the story of a wife who exorcises a werewolf (Day 7, Story 1) and the tale of the crook Ser Ceperello, who convinces the town that he is in fact a saint (Day 1, Story 1). The stories are compelling and afford a fascinating insight into medieval life. They also reveal surprising parallels between medieval and modern responses to pandemics.
As part of their medieval studies, undergraduate English students at Queen’s University Belfast have compiled a series of collaborative digital projects that explore Boccaccio’s stories. They engage with a wide range of topics, including astrology, sex, purgatory and magic, among others.
To learn more about Giovanni Boccaccio’s Decameron, click the interactive digital projects below. For maximum enjoyment, please click on the fullscreen icon at the top right of each project panel.
Fortune in Boccaccio’s Decameron
by Phoebe Spratt, Pearse Skidmore and Amy Smith
by Holly Tunstall and Tanisha Wallace
Magic in Boccaccio’s Decameron
by Kaitlin Covington, Jodie Curry and Rachel Curry
Purgatory is Power
by Amy Nelson, James Moorehead and Conal McManus
Medieval Medicine and Giovanni Boccaccio’s Decameron
by Erryn Killiner